Play in the City

Concert Preview: July '08

Here we are in the midst of Milwaukee’s summer concert season.

Yep, Summerfest is in full force now, but as it begins to wind down, don’t fret, this is the summer concert season, remember? So, there are plenty of shows coming to Milwaukee that will surely keep your inner groupie/rocker (which ever you prefer) content for at least the next month or so.

Stone Temple Pilots
Friday, July 4 at the Marcus Amphitheater during Summerfest

Touring all summer after a six-year hiatus, Stone Temple Pilots are back, bringing an unpredictable night of classic ‘90s grunge that’s sure to be interesting, at the very least.

I’ve heard many mixed reviews from flannel wearing fans regarding STP’s summer excursion, mostly due to the volatility of the band’s unique front man Scott Wieland. Weiland moved on after five years with Velvet Revolver to return to the band that launched him into the limelight and churned out hits like “Vaseline” and “Trippin’ on a Hole in a Paper Heart,” which always evoke the unpleasant memories of my early teenage years...

Anyway.

STP are always cool and clad, but often amid some kind of moody meltdown or manic incoherence that’s a grisly testament to what comes from years of hard-core drug abuse. Regardless, STP are sure to provide past and faithful fans with thrills, not just pure nostalgia.

$20 to $45 Reserved Seating

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The Roots
Friday, July 4 at the Miller Lite Oasis during Summerfest

Many fans would consider the Roots to be hip-hop’s best live band. But, I’d like to point out that while the Roots are deeply anchored in the fundamentals of hip-hop, soul and R&B, they are musicians above all else, and musicians in the hip-hop world – especially those with a heavy emphasis on rock ‘n’ roll – are a rarity.

All too often hip-hop artists are pigeonholed into being a few MCs with a DJ spinning beats. Not the Roots. They play all of their own instruments, including a tuba, flute, bongo, trombone, trumpet and sax. Such talents allow the Roots to create dense, powerful and dark sounds that swirl with polyphonic vocals and political intensity. These guys have obviously rejected all categorizing.

In fact, after seeing the Roots live several times, I’d even say that they dapple in the jam band genre, providing endless solos that seamlessly blend songs into one another. Of course, this is all found within the turntables-and-a-microphone world of hip-hop, again proving that you can’t classify the Roots.

Free with Summerfest admission

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The Redwalls
Saturday, July 5 at U.S. Cellular Connection Stage during Summerfest

The Redwalls were just an unknown group from Illinois when I first saw them opening for Keane a few years ago. But once they took the stage, their guitar-driven, energetic rock ‘n’ roll became something familiar to me.

The Redwalls consist of four suit-wearing, smiling 20 somethings that all sing and share microphones and harmonies filled with quality ooos and ahhhs, come-ons and oh-yeahs. These guys seem to have ingested the Euro-pop of the past, and shat out the love child of The Beatles, Rolling Stones, and The Kinks.

But as their Myspace page states, “We never set out to reinvent the wheel.” All music is thievery in a sense, so even though their sound hearkens back to the early days of the British Invasion, they still prove capable of making a mark on the current rock scene by making familiar sounds their own.

Free with Summerfest admission

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M. Ward
Saturday, July 19 at the Pabst Theater

Matt Ward’s live performance is described by one reviewer in two parts: One, his guitar seems to function as an extension of his physical body; two, M. Ward is capable of effectively transforming his entire audience into a personal and emotional instrument – they laugh, cry, and breathe as he would if he were living the songs instead of playing them.

This description imparts a much more accurate understanding of his uncanny command of the stage, which is likely made possible by his possession of such a deceptively inconspicuous live presence.

While M. Ward is possibly the most soulful white man on the planet, he is known to prioritize the attention of his viewers: music first, everything else second. M. Ward’s unassuming presence and stripped down set allows the audience to be completely captivated by the music. That’s mainly due to M. Ward’s comprehensive blend of folk and blues that spins a series of earnest, poetic tales of heartbreak, love and old friends, which are delivered with muffled tones and grit similar to that of Jeff Buckley and Tom Waits.

Evidently, witnessing M. Ward isn’t just listening to a man playing his list of songs, it’s surrendering your soul and exposing the core of your emotions to embody M. Ward, his life, passion and soul.

$15 General Admission

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The Go! Team
Thursday, July 31 at Turner Hall Ballroom

I saw The Go! Team at Lollapalooza two years ago, and even though the sound was a little shoddy, the British group was an incredibly exciting live phenomenon.

I mean, in both sound and look, The Go! Team is the epitome of multi-culturalism. Diversity in gender and race is paired with a blend of various sounds ranging from 60s soul and 80s hip-hop to Brit-pop and 70s TV show themes, and all of these elements are meticulously fused by enticing moves.

As said, their exciting performance is made possible by melding a lively group to a sound that’s upbeat and jovial. The six-member group leaps about the stage in beautifully synchronized pandemonium, sending a wave of energy through the crowd. Naturally, this causes roughly 90% of the crowd to dance with total disregard, flailing arms and legs and grooving in a manner not seen since the days of Soul Train.

You see, their youthful energy translates well on stage, and there’s nothing immature about their musical prowess either – even if it often sounds like high-pitched hubbub from a series of high school cheerleading chants.

$18.50 General Admission

There are many more shows coming to Milwaukee this month, especially during the final days of Summerfest. For a complete list of the Summerfest lineup, head over here.

For other concert information, take a look at the Rave, the Pabst, Riverside and Turner Hall, or any of the venues listed to the left under “Rock Out.” Or if you’re inclined, leave your recommendations in the comments section.

Concert Preview: June '08

I was looking online at many of the local concert venues and was feeling a little “eh” about the upcoming shows – none of them really tickled my fancy. But then I realized… Duh, Summerfest! AKA: The start of the summer concert season! – Thankfully providing me with many concerts to write about. Hooray!

Now that I don’t have to scrounge for ideas, I’m going to dedicate (the majority) of this month’s recommendations to the first few days of Summerfest.

Since it’s dubbed the “world’s largest music festival,” I figured there has to be a plethora of good music coming to town. And you know what? There is! Naturally, Summerfest brings music that runs the gamut of classic rock and Zouk-pop to R&B and soul, and it’s all wrapped up with a big red smile.

My Mourning Bell, The Maze, On the Porch
Friday, June 20 at Shank Hall

Because I can, I’m plugging this show for my friends, The Maze, who are on the bill as openers for My Mourning Belle…

The music of My Mourning Belle, babe of Milwaukee-based, singer-songwriter Mark Allen, blends the lyrical and melodic sensibilities of a classic singer-songwriter with the passion and exuberance of authentic rock. The result is a sound that’s both uplifting and melancholic.

My Mourning Belle’s lyrics touch on all of the typical topics of life, death, love and relationships, but center around a romantic, yet cynical theme – doomed romanticism, if you will. Such relatable, aching themes continue to captivate local audiences. With haunting harmonies chalk full of soulful rock ‘n’ roll, Allen fuses misery, hope and fear into an ardent live performance that will find you instantly love struck and yearning for more.

$8 General Admission

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Stevie Wonder
Thursday, June 26 at the Marcus Amphitheater during Summerfest

We all know of Stevie Wonder or at least his vast catalog of funky R&B and jazzy sounds. This extensive repertoire of music is what proves that he deserves not only the decades of love he has received from fans and critics, but serves as a concurrent reminder of why Wonder remains one of the foremost musical innovators in history.

Stationed behind a keyboard or grand piano, Wonder will offer up many of his hits and landmark songs – “Isn’t She Lovely,” “Higher Ground,” “Superstition,” “Signed, Sealed, Delivered (I’m Yours)” – that’ll sound eerily as good as they did when they were first recorded. Wonder simply hasn’t lost the passion or progressive awareness that’s led him to be such a voice of social change over the years, which is why this legend is not to be missed.

$30 to $70 Reserved Seating

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They Might Be Giants
Thursday, June 26 at U.S. Cellular Connection Stage during Summerfest

Their show was sold out at Turner Hall in November if that’s any indication as to why you should check They Might Be Giants out at Summerfest.

Since their debut in 1982 as a duo, TMBG has developed a reputation as a “must see” live show. The band delivers a night of completely unadulterated fun as their short, odd songs engulf music venues with glorious melodies and quirky charm. Their catchy and witty songs form their vast repertoire of nonsense syllables and silly ideas will ensure you leave the show with bizarre childish anthems ringing in your ears and a warm feeling of child-like bliss.

Free with Summerfest admission

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Gnarls Barkley
Thursday, June 26 at Briggs & Stratton Big Backyard during Summerfest

A great live show is just the latest for Cee-Lo Green and Danger Mouse, who as the story goes, bonded over a mutual interest in trip-hop trailblazers Portishead, started collaborating, found a risk-ready label, and made an album adored by critics and featuring the summer smash “Crazy.”

The ever-changing costume clad duo (they have dressed as “A Clockwork Orange” characters, tennis players, gladiators, “Star Wars” characters, among others) are backed by an ensemble that includes drums, bass, guitar, three backup singers/percussionists, and a deft four-piece string section dubbed the “G-strings” to create strangely dense, chaotic beats that make up a vivid soundscape of music. Cee-Lo, however, is the sonic wizard of the group. He has the most palatable gift to come off as both cartoonishly exuberant – he sings like a man on fire – as well as, seriously grounded in music.

Aside from Gnarls Barkley’s blend of hip-hop, classic R&B, disco and anything else imaginable being a little frenetic for regular consumption, live you’ll experience something that’s simultaneously exciting, musical and spectacular.

Free with Summerfest admission

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Blondie
Saturday, June 28 at M&I Classic Rock Stage during Summerfest

The newly minted Rock and Roll Hall of Famers Blondie were once considered an “underground” band in the United States until their first U.S. hit “Heart of Glass” put them on the map.

To this day, blonde bombshell Debbie Harry commands the stage with sex appeal. Every hip thrust and shake of her blonde locks makes every guy in the audience drool and each girl long to be Debbie themselves.

Blondie is known not only for their striking stage persona and vocal performance, but also for incorporating elements in their work from numerous subgenres of pop music. They are known for reaching from their punk roots to embrace New Wave, disco, and hip-hop that exhibits a stylistic progression that’s unparalleled.

Free with Summerfest admission

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Steve Miller Band
Sunday, June 29 at the Marcus Amphitheater during Summerfest

Although his voice isn’t quite what it used to be, Steve Miller still exudes the same vigor, fervor and wit that one would expect from the creator of the phrase “pompitous of love.”

The Steve Miller band includes Kenny Lee Lewis, bassist Bill Peterson, drummer Gordy Knudson, keyboardist Joseph Wooten and harmonica legend Norton Buffalo, who has performed with Miller for over 30 years.

With riffing guitars, a rhythm section locked into a groove, upfront vocals saturated with laid-back humor, in the late 70s, the Steve Miller Band’s sound ruled the radio waves.

Be ready to take a musical trip back in time with sly rock hits such as “Fly Like and Eagle,” “Take the Money and Run” and “The Joker,” that are instantly appealing and almost maddeningly ineffaceable.

$45 Reserved Seating

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Ryan Shaw
Saturday, June 28 at the Harley-Davidson Roadhouse during Summerfest

Anchored in the R&B sounds of the late 50s and 60s, Ryan Shaw covers songs by retro-soul greats – Wilson Pickett, Jackie Wilson, Bobby Womack – who died or slipped into obscurity long before his birth. Even Shaw’s original songs on his debut album sound much like forgotten 60s singles. In fact, if you’re not well versed in vintage soul, you might not be able to figure out which are the originals and which are the covers.

Shaw honed in on his musical skills while singing gospel in a Southern church for many years, just like so many soul singers before him. Now, Shaw is steadily gaining momentum probably due to his fascinating vintage sound or powerful and mature singing style, or his dynamic stage presence.

Free with Summerfest admission

There are many more shows coming to Milwaukee this month, especially during Summerfest. For a complete list of the Summerfest lineup, head over here.

For other concert information, take a look at the Rave, the Pabst, Riverside and Turner Hall, or any of the venues listed to the left under “Rock Out.” Or if you’re inclined, leave your recommendations in the comments section – I know that I’m always up for learning about new bands.

Concert Preview: May '08

Yesterday, when I glanced up at my calendar I noticed that every day had already been crossed out, meaning it was obviously time to flip the page to May.

Wait a second! Where did April go? Hello? Where are you?

No worries, I guess. Lucky for us, not only does May bring bountiful spring flowers, it also provides plenty of concerts. Now, I'm completely ready to move on to May and welcome some great shows and, of course, warmer weather to Milwaukee's scene.

Black Rebel Motorcycle Club
Friday, May 2 at Turner Hall Ballroom

If you know anything about Black Rebel Motorcycle Club (BRMC), you know that one, they got their name from the Marlon Brando-led biker gang from The Wild One; and two, that the band built a reputation by producing crunchy garage-band, feedback-laden rock 'n' roll.

Recently it has become increasingly difficult to categorize their Stone Roses, My Bloody Valentine-inspired Brit pop/soulful Americana, though. This is primarily because these guys know how to skillfully dapple in multiple music genres and also compile the best types into one fantastic show.

From acoustic guitars, bluesy riffs and harmonicas, to fast-paced, menacingly distorted, effect-driven sounds, BRMC offers a unique pace change throughout their performance, which crisply bridges the gap between the old and new BRMC.

Aside from their varying styles, the trio still emits the same driving fervor as ever. Clad in black and exuding an effortless cool, the band’s dynamic presence exceedingly fills the stage and answers the question, “Whatever Happened to My Rock n’ Roll?” It’s right here, in every way possible.

$20 General Admission

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Tegan & Sara
Wednesday, May 7 at the Pabst

Tegan and Sara have made a significant impact in alternative music with their catchy folk-electro-pop sounds composed of heart-wrenching, dark, emotional and often obsessive lyrics. It also helps that their latest album The Con was released on Neil Young’s Vapor Records and was produced by Death Cab’s Chris Walla.

What’s truly unique about Tegan and Sara is the honest portrayal of their music and relationship when on stage. The duo’s rapport reveals an open, critically constructive and, at times, impatient relationship bounded by the law of sibling love. It’s actually quite amusing to watch their sisterly banter, especially if you have a sister of your own.

While their antics may seem silly or petty to those who can’t relate to the nagging love they show, you’ll appreciate the magnificent and inimitable contrast it gives to the beautiful harmonies they sing in unison. Perhaps this is why they’ve gained massive amounts of critical praise and fan appeal, because they are real.

$25 Reserved Seating

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The Hives
Sunday, May 18 at the Rave

The Hives had trouble breaking through the retro/punk scene partially due to their counterparts The White Stripes and The Strokes’ strong presence in the limelight. However, they finally got one of their biggest breaks when their single “Hate to Say I Told You So” landed a coveted slot on the Spiderman soundtrack, and then in no time it was streaming non-stop around the globe.

While the Swedish band’s choppy, rapid and zealous songs aren’t ground breaking – their genre has been heard many times before by influential bands like the Sex Pistols, Iggy and the Stooges and New York Dolls – much of The Hives appeal lies in their unassuming but completely aware performance. The cocksure poses are aplenty, self-praise incessant, and the stage banter is comedic, tongue in cheek and sometimes true.

The songs themselves range between retread and tired to slightly above average, but when experienced live they are untouchable. Each note played is presented with a different facial expression as singer Howlin’ Pelle Almqvist struts around the stage like Mick Jagger on speed and offers the crowd an awkwardly enjoyable show full of vigor and amusement.

$21.50 General Admission

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Rilo Kiley
Friday, May 23 at the Pabst

Making their Milwaukee Debut, Rilo Kiley’s endearing melodies, haunting vocals and striking lyrics have been receiving promising attention from Entertainment Weekly and Rolling Stone.

The acknowledgment hasn’t completely affected the band though; it’s noticeable that they still possess a splendid mix of L.A. cool and Midwestern heart. What’s more impressive is that Rilo Kiley has been able to hone in on the ability to portray beaten down messages of prevailing hope through a blend of lush power pop, soulful synthesis and weepy country ballads, which can’t easily be done when crossing genres. In fact, Elvis Costello compliments Rilo Kiley’s music by labeling it as "the best lyric writing" he had ever heard. And their live show doesn’t fall short either.

Rilo Kiley's blistering live shows match lead singer/songwriter Jenny Lewis’ astonishing charisma and beautiful voice with singer/guitarist Blake Jennett’s shimmering guitar. Then, when you throw in the exemplary drum and bass partnership of Jason Boesel and Pierre de Reeder, the outcome of this collaboration is not only a great show packed with plenty of sparkle and sheen, but music bursting with solid substance and skillfulness.

$24.50 General Admission

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Panic! At the Disco
Sunday, May 25 at the Eagles Ballroom

Don’t Judge. Seriously. I have valid reasons for placing Panic! At the Disco on my Concert Preview.

You see, when I first heard Panic! At the Disco’s debut album, I was taken back by how similar their sound was to Fall Out Boy. The pop-punk sound that makes teenage girls squeal and paw at any pubescent boy holding a gleaming guitar was abound in Panic’s first album. But, the band’s one saving grace – for those of us who’ve been sick of the pop-punk genre long before the turn of the century – is that Panic! takes their music a bit further than their counterparts.

Evidently, their progressions are just a little more complicated, the lyrics are a little more perceptive and their style is impeccably wittier, even though they still have anthem-like hooks, which deliberately emphasize their pop influences.

Additionally, when I first saw Panic! in concert at Lollapalooza two years ago, I found myself really enjoying what I was hearing and I recall being thoroughly entertained by their theatrical stage presence. No joke. But what puts these guys on a higher plane than, say, Fall Out Boy and Blink 182 is that their live shows exude liveliness and theatrics in a Vegas-style, creepy circus explosion bursting with backup dancers and elaborate costumes and makeup to match. So, maybe Panic! At the Disco lacks non-teenage appeal, but trust me, their live show is worth the pain of hearing “I Write Sins, Not Tragedies” one more time.

$30 General Admission

There are many more shows coming to Milwaukee this month. Some honorable mentions that didn’t fit onto my Concert Preview are: Presidents of the United States of America on Monday, May 5, Tiger Army on Saturday, May 24, and The Spill Canvas on Wednesday, May 28.

For other concert information, take a look at the Rave, the Pabst, Riverside and Turner Hall, or any of the venues listed to the left under “Rock Out.”

Concert Preview: April '08

Over the next two weekends, I’ll be taking a jaunt to the "Windy City" to see Nada Surf and The Black Keys, but I’d prefer to simply mosey down the road to one of the local concert halls for an indie rock show. Fortunately, Milwaukee has an extensive line-up of must-see concerts coming into town this month and I'm raring to go!

Vampire Weekend
Saturday, April 5 at Turner Hall Ballroom

Vampire Weekend successfully fuses hooky indie-pop with African rhythms, lively piano riffs and a punky undertone, which makes it pretty difficult not to get up and dance. Labeled as “Afro-pop-new-wave-preps,” Vampire Weekend’s liberal use of African music coupled with J.Crew clothing, Ivy League education and hoity-toity references has led critics to question their musical appropriations, says PopMatters.

But really, Vampire Weekend's Ralph Lauren sweater vests shouldn’t distract from the tone of their music considering their songs are less about sporting khaki pants and more about escaping everyday life – i.e. trying relationships, frustrations with love and the norms of Columbia University. Additionally, their songs aren’t sweeping statements like those of their influence Paul Simon, but more like references to specificity of place: colors, smells and textures.

Despite their preppy affections, they easily bypass the drawbacks of indie-self-importance by delivering listenable, coherent, uncomplicated and, yes, unpretentious music. Perhaps that’s why they were already claimed to have the most impressive debut last year without even releasing an album until this February, almost two years after forming.

$12 General Admission

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The Hold Steady
Friday, April 11 at Turner Hall Ballroom

Rolling Stone hails The Hold Steady as “insanely original” while Pitchfork describes their sound as a mix of “unadulterated aggression and ear-splitting amps.”

The band isn’t trying to reinvent rock ‘n’ roll though. Instead, the Midwest natives are attempting to carry on the tradition by maintaining what is quintessential to rock music – a heavy emphasis on mind-blowing guitar solos doused with reminiscent ballads and simply constructed rock anthems. The band's music is straightforward and barroom-y, which is what you'd expect from guys who exude the impression that they're just four down-to-earth buddies who'd like to be huddled around a case of cheap beer hanging out in a basement in Minnesota.

While critics say their lyrics are "too wordy" and the sound is "tuneless", if you listen closer you’ll find witty, hard-drinking, scene-bashing lyrics that are masterfully paired with the fresh sounds of jaunty keyboard riffs, bombastic drum thrashes and some sonic sound dappling. This expresses a profound element of depth, creativity and originality that’s coupled with inherent and timeless Americana flavor, which is undeniably the identity of The Hold Steady, says folks at the Pabst Theater.

$15 General Admission

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Kimya Dawson
Tuesday, April 15 at the Pabst Theater

Kimya Dawson supposedly was hand-picked by actress Ellen Page to supply much of the music heard in the hit flick JUNO. I'm not surprised by this considering Dawson’s child-like sound combines seamlessly with the strangely heartwarming story of JUNO, especially since most people find both to be simplistic, unorthodox and relatable. Dawson serves as the heart and soul of the Oscar nominated film by landing six songs on the breakout soundtrack.

As a former member of The Moldy Peaches, Dawson has become a success story in the world of underground “anti-folk.” Her hurried, girlish, half-spoken/half-sung delivery and simple melodies imprint themselves on the brain after only one listen. According to reviews, Dawson's style is slightly amateurish, but there's a fierce intelligence working behind the naive facade. Even though her songs are filled with a mess of disjointed images that could cause dizziness, the effect is touching, humorous and liberating, that is, if you can keep your head from spinning.

$10 General Admission

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Colin Meloy (of the Decemberists)
Tuesday, April 22 at the Pabst Theater

The frontman for The Decemberists, Colin Meloy, puts on a rare solo acoustic show that integrates intelligent lyrics and eclectic style with his nasal, yet bright and powerful voice. This time there won’t be any instrument change-ups between bouzoukia, bells, accordions or pedal steel guitars, just a clean, crisp approach to emphasize his raw feelings and meandering melodies.

The Decemberists' fans know Meloy for his theatrical charisma, which ensures a night filled with enthusiasm and unscripted antics – he often hosts a dance contest in the middle of his performance – which ensures that every previous or subsequent show won't mirror each other. But, Meloy’s on-stage behavior isn’t what makes him or The Decemberists great entertainers. It’s the fact that Meloy offers commanding vocals that meld perfectly with a band that bestows quirky and mellow arrangements that are full of authentically charged indie-pop goodness.

$20 Reserved Seating

If none of my recommendations get you racing toward the box office, you can always pay to see ASIA at The Pabst and fist pump to “Heat of the Moment.” Whatever. That’s your prerogative. Otherwise, there are plenty of other shows coming to Milwaukee in the next couple of months. For more concert information, take a look at the Rave, Pabst, Riverside and Turner Hall, or any of the venues listed to the left under “Rock Out.”

Concert Preview: March '08

With summer nearing, I can almost feel those balmy nights at the Marcus Amphitheater. Okay, let’s be serious here. We still have several more weeks of winter and the snow definitely isn’t going anywhere soon. So, even though the summer concert season is a little too far out of our listening range right now, we can melt our winter blues with some all-American rock ‘n’ roll or a concert that will heat up any local venue.

So, here’s a short list of my recommendations for this chilly month:

Billy Joel
TONIGHT! Sunday, March 2 at The Bradley Center

One of today's greatest performers, singer-songwriters, pianists, composers, and Grammy winning musicians, Billy Joel will be live and in person for his first solo appearance in Milwaukee in a decade and will bring a little nostalgia to the city. The Rock and Roll Hall of Fame Inductee delivers song after song with wit, vigor, and a sense of pride that comes with nearly 40 years of hard musical labor. This scrappy New Yorker remains astonishingly sharp at the piano and gives, as you’d expect, a first class performance. You have a chance to hear favorites like Piano Man, Movin' Out, Only the Good Die Young, It's Still Rock and Roll to Me, Uptown Girl, We Didn't Start the Fire, The River of Dreams, you know, the standard fare of Greatest Hits material… need I say more?

$41.50 to $97 Reserved Seating

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RAIN: The Beatles Experience
TONIGHT! Sunday, March 2 at The Riverside

For those who were lucky enough to see the Beatles live, this is a tremendous opportunity to relive your experience, but for those who haven’t, this is the next best thing because they are a spitting image of Paul, John, George and Ringo and they sound remarkably like them. According to our friends at the Pabst Theater, RAIN covers the Beatles from their earliest debut through their psychedelic stint in the late 60s and their long-haired hippie, hard-rocking rooftop days. RAIN is a multi-media, multi-dimensional experience with video screens around the concert hall that depict historical TV footage and commercials from the 60s as unforgettable chart toppers send you on a trip back in time to the Fab Four’s once revolutionary rock ‘n’ roll that spanned generations.

$29.50 Reserved Seating

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Chick Singer Night
Tuesday, March 11 at Caroline’s Jazz Club

With 11 cities participating around the country, Chick Singer Night is the nation's most notable original and longest-running songfest for female artists. As a non-profit organization, CSN is dedicated to helping female artists in every stage of their music careers. Each show features established and up and coming local and regional artists and exudes uniqueness as it welcomes all singers of every style of music, with all levels of experience and from all walks of life. Notable CSN alumni include Norah Jones and Sheryl Crow and many other amazing female artists. Be amazed by recent featured musicians on tour including Lisa Gatewood, Ellen Winters, Jenny Thiel, Linda Stieber and Jeanna Salzer.

$8 General Admission

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Grace Potter & The Nocturnals
Friday, March 14 at The Pabst

Vermont-based rockers Grace Potter and the Nocturnals are your classic American, hot-wired rock ‘n’ roll band. While Grace Potter’s down-home beauty and charisma probably helps her get a first look, it’s her talent that’s made her a rising star. Potter alternates between an organ and a Flying-V guitar throughout the set, proving herself a multi-instrumental threat. “Potter is a rare commodity in an age when most aspiring pop stars would rather hit it big on American Idol than put in the time and effort required to master an instrument,” says Pop Matters. With a voice that oozes classic rock and blues—at times recalling artists such as Bonnie Raitt, Susan Tedeschi, Stevie Nicks, Sheryl Crow, and Janis Joplin—the 24-year-old Potter is a talent eons beyond the Idol mob.

Listen to this soulful and spirited band by clicking here.

$13 General Admission

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Jose Gonzalez
Tuesday, March 18 at The Pabst

Jose Gonzalez is a testament to the irrefutable power of one man and his guitar – it’s beautifully simple. “Gonzalez, an Argentinean-Swedish singer-songwriter, is one of a number of Scandinavian performers yanking folk rock back from the menacing grip of Top-40 musicians like John Mayer and Jack Johnson,” says Pop Matters. Those better-known guys aren't writing bad songs per se, but they do practice a kind of methodical, blueprint songwriting aimed directly at the center – lyrics that are disconnected and numb. But artists like Jose Gonzalez are aiming to do something a little more pure with no embellishments necessary. With thumping acoustic rhythms that combine anger and softness that’s mesmerizing, intimate and hunting, Gonzalez evokes a spirit of greats like Elliott Smith and Paul Simon. He is vibrant and magical and worth seeing.

Hear his acoustic covers here.

$15.50 General Admission

If none of my recommendations tickle your fancy, there are many more shows coming to Milwaukee in the next couple of months. For more concert information, take a look at the Rave, Pabst, Riverside and Turner Hall, or any of the venues listed to the left under “Rock Out.”

Concert Preview: February '08

This month features a bunch of newbies – bands making their debut or those who’ve gone through a transition or reinvention. You will inevitably fall in love with all of them.

So, here’s a short list of my recommendations for February...

Stukenberg
TONIGHT Friday, February 1 at The Annex

Stukenberg, a five-piece conglomeration from southeastern Wisconsin, has honed in on a sound and style somewhat comparable to David Bowie, Nada Surf and Pete Yorn, but one that has evolved into their own. The local band’s sound begs instant connection and a beauty found in both simplicity and in ornate design – think Death Cab for Cutie as a reference point – while their slow-charging beats and mid-tempo pop waves reflect a certain Beatles fascination. They’ve been playing for the last few years, but have recently rounded out their band’s lineup with the addition of Steve on drums, Thea on cello and Matt on bass. After recently signing with Machine Records Inc., Stukenberg will be releasing their debut album Mountain of Pieces on April 1.

Click here to have a listen.

$5 General Admission

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Limbeck with John Ralston
Friday, February 22 at Turner Hall Ballroom

Limbeck
Limbeck may not have stunned the world with their debut, but they are no longer the guttersnipes of their youth and now they deserve every speck of attention doled out, even if it’s just in recognition of their awe-inspiring metamorphosis. The transition from high school pop-punk to airy country/rock was a slow one that began with the reshuffling of the band’s lineup. “We sucked for a long time. Now we’re decent,” admits guitarist Patrick Carrie in an interview I encourage you to read. Capitalizing on good-natured simplicity with their own take on classic rock – they blend styles from laid back Wilco to the Beach Boys to roots rock of the Stones and Tom Petty. It’s time you become smitten.

John Ralston
Soft-toned singer-songwriter John Ralston has mastered the role of a full-frontal indie icon. The Florida native’s sound is a hodgepodge of multiple vocal and instrumental overdubs, vintage synthesizers and slow-churning beats. The manner of unexpected instrumentation colors his songs with rich texture and atmospheric anthems that are imbued with brooding discontent. It’s only natural that you’ll hear something new with each repeated listen.

What makes Ralston so unique is his ability to mix modern and retro rock influences, incorporating elements of very current electronic music and subdued folk. His layered vocals produce a Beach Boys-esque vibe while his expressive, yet relatively hushed voice brings to mind the memory of the great Elliott Smith. There is nothing musically or lyrically to suggest that Ralston could somehow fill the tremendous void felt in the center of the chest of those who loved Smith like I did, but his music is of the quality and maturity to garner respect and appreciation from those same people.

These are the perfect bill-mates. Fall in love here and here.

$10 General Admission

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Sia
Wednesday, February 27 at Turner Hall Ballroom

Many would describe Sia’s music as something that falls too easily into a generic sort of melancholy, an all-too-familiar feeling that these sad, soothing songs are meant to instill. What saves Sia from this overbearing mood – at least in her live performances – is a penchant for goofiness and her complete lack of shame. She’s a burst of fun and energy as she jumps around stage, breaking into non-choreographed, impromptu dances during lulls in songs and sometimes she even gives her stuffed blue mic monkey a chance to sing. She is downright girlish and giddy, but has a voice that’s warm and strong and seductive. With brilliant songwriting, her compelling voice evokes an honest sense of vulnerability and yearning as it soars and dips and contracts to an emotive whisper.

Hear her trademark quiver here.

$20 General Admission

There are many more shows coming to Milwaukee in the next couple of months. Some honorable mentions that didn’t fit on my list are: The English Beat with RX Bandits and Daniel Johnston. For other concert information, take a look at the Rave, the Pabst, Riverside and Turner Hall, or any of the venues listed to the left under “Rock Out.”

Concert Preview: January '08

2007 brought a bunch of unforgettable live shows to Milwaukee and 2008 is quickly taking off as January ushers in some awesome, must-see shows late this month.

The Walkmen with special guests White Rabbits
Friday, January 18 at Turner Hall Ballroom

The Walkmen
It’s like Bob Dylan met indie rock, fell in love, and had a baby called The Walkmen. What I’m referring to is The Walkmen’s sound, which consists of saloon pianos, “shambolic” guitars, irregular drumbeats and howling Dylan-esque vocals.

The Walkmen’s thoughtful (sometimes urgent), artful songs alternate smoothly between brash, fiery atomic rock and introspective ballads. These components loosely hang together and will make you feel as if you have just walked into some dive bar mid-set, and the band couldn’t give a damn whether you like them or not. The Walkmen are so unpredictable, laidback and talented that they are arguably one of independent music’s most exciting bands.

Hear what you've been missing.

White Rabbits
They stole the show last summer at The Pabst and now White Rabbits are back to round out this great bill. To me the New York City six-piece band is like a head rush of stellar songwriting mixed with an exotic instrumental style that’s made up of heavy piano and strong melodic vocals. They are playful, charming and gravely edgy.

Head over to this site and hear for yourself.

I have a feeling that White Rabbits will meld quite nicely with their bill-mate, The Walkmen.

$12 advance/$14 day of show General Admission

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Velvet Revolver
Friday, January 25, 2008 at the Rave

The reason I suggest seeing Velvet Revolver is primarily due to the fact that not every day you’ll have the opportunity to see rock ‘n’ roll icons like former Guns N’ Roses bandmates Slash, Duff McKagan and Matt Sorum united with ex-Wasted Youth guitarist David Kushner and ex-Stone Temple Pilots vocalist Scott Weiland, all together on one stage.

The fused bands have an undying allegiance to the genre of metal and old-school rock ‘n’ roll and their merged histories make for “skittering” riffs, punchy choruses and zooming bass lines. It’s exactly what you’d expect from such rock stars.

$40 General Admission

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moe.
Saturday, January 26 at the Rave

Last August at Lollapalooza, I found out that moe. is an exceptional jam band. Normally, I’m not very fond of jam bands – these guys seem to be the only exception – but because moe. continues to be an atypical band in the jam band genre – they actually produce quality studio work – it’s hard not to like them. I’m not the only person who has recently taken a liking to them either; moe.’s renowned live show earned them a Jammy Award for Best Live Set after an up-til-dawn performance at Bonnaroo.

Since they emerged from the college bar scene in upstate New York, moe., have carved a niche for themselves with a distinct blend of Americana, exceptional songwriting and diverse sounds that range from nasty riffs to heavy procession and drum beats, and slide from acoustic to metal to bluesy licks. With improvised music swirling around the stage it’s hard not to throw your hands up and fluidly sway to the playful melodies of moe.

Have a listen. Click here.

$23 General Admission

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Editors & Hot Hot Heat
Sunday, January 27 at The Pabst Theater

"A must-see event matching the splendor of Editors’ epic indie rock along with explosive sounds of Hot Hot Heat in a hugely exciting evening," according to our friends at the Pabst.

Editors
Oozing with upbeat and heartfelt compositions, Editors are frequently compared to New York City foursome Interpol – another one of my favorites. Editors are fronted by attractive, yet awkward, Tom Smith who probably won’t argue claims of Interpol’s influence, considering his delivery and the band’s beats and demeanor is almost identical to that of Interpol.

Editors have two types of songs: one starts upbeat, reaches an emotional peak and returns to upbeat while the other starts slow, reaches an emotional peak and stays there. Both versions work for them and please the crowd; so I say if it ain’t broke, don’t fix it and we’ll all have a good time.

Listen here.

Hot Hot Heat
I own three albums from their vast collection; still I’ll admit that Hot Hot Heat sounds better live than on my iPod. Their performances are very lively with danceable music that tends to go with the same beat – perhaps a bit too much – but in a good way.

Their poppy, grab-you-by-the-seat-of-your-pants sound – think Snow Patrol meets The Killers meets The Cure as a reference point – lives up to their name. With much gusto and with moves that rival those of Jerry Lee Lewis, no Hot Hot Heat attendee will fight the urge to follow every nuance of front man Steve Bay’s movement (even if it’s only a slight head bob or foot twitch). Hot Hot Heat is living proof that music is made to make you move.

Click here for an instant dance party.

$18 General Admission

If none of my recommendations tickle your fancy, there are many more shows coming to Milwaukee in the next couple of months. For more concert information, take a look at the Rave, Pabst, Riverside and Turner Hall, or any of the venues listed to the left under “Rock Out.”

Concert Preview: December '07

Are you having trouble figuring out what to buy your friends and family for Christmas? Let me suggest straying from the generic holiday socks and goofy neckties and opting for a gift that’s a little lot more unique and entertaining such as tickets to one of the many shows coming to Milwaukee this month.

Local venues are welcoming some exceptional, up-and-coming bands, plus many festive performances throughout December. And what do you know? They’re just in time for the holidays!

Here are some recommendations that will be just the thing for everyone on your ‘people to buy for’ list this year…

Cloud Cult and The 1900s
Friday, December 7 at Turner Hall Ballroom

This is a great two-for-one deal and the ideal present for your “hipster” friend.

Cloud Cult’s unique sound has been called “insane genius” by Pitchfork Media and has been compared to Modest Mouse, Flaming Lips and Beck. The live band is made up of a cello, violin, trumpet, flute and much percussion, along with an accompaniment of standard guitars, bass, keyboard and drums.

If I remember correctly, they opened last year for the Dresden Dolls. When I saw them then, I was a little confused but certainly awed. Their elaborate theatrics like the live painters that work on stage during the concert and the footage of the audience and band, paired with an awesome video backdrop makes their show seem a little chaotic, but artistically, it somehow makes complete sense.

About two years ago, I saw The 1900s when they only had six songs under their belt and were the opening band during a concert in Chicago. Shortly after, the band jumped into a whirlwind, instantly becoming one of the most talked about bands in the Midwest. Since then, The 1900s kept popping up at the concerts I’d attend. They toured with Iron & Wine and Midlake among others, and performed at this year’s Lollapalooza.

The seven piece psychedelic pop group has an awkward stage presence that's probably due to the steamy on-off relationships and Fleetwood Mac style breakups, which are obvious from the audience – you can actually see who’s feuding! Like their off-stage drama, their music is at times melancholic and haunting and at other times breezy and full of sunshine. Every aspect of The 1900s should not be overlooked by fans of modern indie pop, or anyone looking for fresh, beautifully made music.

$12 General Admission advance/$14 day of

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A Christmas Carol
Friday, November 23 through Sunday, December 23 at the Pabst Theater

This is the most extravagant and delightful holiday production in Milwaukee. For over 30 years, A Christmas Carol has been a beloved story that has been fashioned into one of the most anticipated and treasured annual theatrical production around the world. Each year the Rep’s portrayal of Charles Dickens’ message of hope and redemption ensures you leave with your soul touched and holiday brightened. Give it as a gift to your family this year and experience a holiday tradition that’s unlike any other in Milwaukee.

Prices range from $32.50 to $65 Reserved Seating
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A John Waters Christmas
Wednesday, December 12 at Turner Hall Ballroom

If you have someone on your list that needs a good laugh or perhaps just an entertaining night out on the town, A John Waters Christmas is just the ticket.

John Waters has been considered an infamous writer and director for his notorious films like Pink Flamingos and Hairspray. Currently, Waters is stepping away from film for the holidays and touring as a wayward Santa for the Christmas obsessed. By sleigh he’ll deliver seasonal observations as only he can imagine – in a rapid-fire monologue that puts the “X” in X-mas.

Perhaps you’d rather give a gift that will last for years (or as long as there are CD players). One suggestion for a John Waters fan is a copy of his Yuletide compilation CD A John Water’s Christmas. It’s sure to make even the most cynical person on your list chuckle, or at least grin in mild amusement.

$35 General Admission
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Big Snow Show
Sunday, December 16 at the Riverside Theater

According to FM 102.1, last year’s show sold out, which must mean that tapping into teenage angst has been working for them. It could also work in your favor if you purchase a pair of tickets for that high school punk on your list – you’d be the coolest sibling ever!

This year’s Big Snow Show’s line-up features Jimmy Eat World, Coheed and Cambria, Shiny Toy Guns and The Starting Line. Pop-punk band Jimmy Eat World has been pumping out more borderline Fall Out Boy-sounding anthemic rock and finger-snapping dancey numbers while Coheed and Cambria fuse metal, progressive and emo-core with complex and edgy sounds and scratchy vocals. And let’s not forget that with their hit “Le Disko” climbing the charts ever since its release last year, the infectious, danceable synth-pop of Shiny Toy Guns puts them on track as one of the hottest new rock bands in America, according to folks at FM 102.1.

$34.50 General Admission
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The Response
Saturday, December 22 at Turner Hall Ballroom

Local rockers The Response celebrate the release of their new album, With Friends Like You… Who Needs Enemies, in time for Christmas. This will be one of their first shows since their two recent additions: lead singer Steve K from Radio Tokyo and John Kraft from Since by Man. And after playing shows with bands like the Benjamins and Starlight Mints, they’re ready to show Milwaukee a night of harmonized guitars, rich vocals and hard hitting, bass ripping rhythms, oh, and of course Yuletide, punkish cheer!

So, along with that black T-shirt and pair of Vans, I suggest getting your 16-year-old nephew a great night of local pop/punk mayhem, even if he was on Santa’s naughty list this year.

$9 General Admission

As you can see, there’s something for everyone this Christmas. But if you need more info, check out the Rave or Pabst, Riverside and Turner Hall for more gift ideas!

And if you want some album recommendations, check out what's on my iPod by clicking on the "About" link under my lovely photo or right here. I try to update that list every month.

Concert Preview: November '07

With winter upon us, there’s no better way to spend a cold winter night than curled up in front of a fire. On the other hand, a hot, sweaty concert hall has nearly the same appeal… at least to me.

Even though the warm weather has passed and the summer concert season has ended, the Milwaukee music scene won't be hibernating this winter. Actually, as you’ll notice, there are a bunch of great shows coming to town in the next couple of months that will wrap you up in their warm blanket of rock ‘n’ roll rhythms, hot bass lines and heavy drum thumps.

Here’s a short list of my recommendations for November…

They Might Be Giants
Friday, November 9 at Turner Hall Ballroom

Gracing the newest venue in the Pabst Theater clan, Turner Hall, is the five piece band They Might Be Giants. Since their debut in 1982 as a duo, TMBG has developed a reputation as a “must see” live show. The band delivers a night of completely unadulterated fun as their short, odd songs engulf music venues with glorious melodies and quirky charm. Their nonsense syllables and silly ideas from their vast repertoire of catchy and witty songs will ensure you leave the show with bizarre childish anthems ringing in your ears and a warm, fuzzy feeling of child-like bliss.

SOLD OUT (sorry guys)
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Modest Mouse
Sunday, November 11 at The Rave/Eagles Ballroom

I was fortunate to see Modest Mouse in the heat of summer at Lollapalooza where they put on a flawless performance that blistered with energy. These guys won’t glass over their unflinching commitment to forge a unique and recognizable sound by way of throaty, lisping vocals and rolling, fluid bass lines and rigid, muscular drumming. Their melancholy mood and deep melodic maturity provides the perfect end-of-the-weekend show.

$32 General Admission
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Dropkick Murphys
Monday, November 12 at The Rave

"We know that we're just a buncha schmucks that can't play for shit and sure as hell can't sing, but for some reason, you guys show up and make this work." That's Ken "Reverend" Casey's tear jerking speech to the crowd midway through the Dropkick Murphys' new live album. And that's the Murphys in a nutshell. They are patriotic, fierce, drunk and loud, but to this band, the audience is always central to the music. Tireless gigging bagpipes, big gulps of Guinness and principled anthem-writing have turned the Dropkick Murphys into a voice of solidarity and opposition that unites rather than divides, and always fills venues.

$21.50 General Admission
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The Life and Times
Friday, November 16 at Hattrix (in Kenosha)

Composed of members from the former 90s band Shiner, Ring Cicada and Stella Link, these guys have seen fads and styles fade at about the same rate as cheap jeans. Together as The Life and Times however, they ignite a blend of scratchy, ragged bass lines, electric synthesized chords, and multi-layered guitars, which are consumed by pounding drum beats and produce a streamlined style that’s also constantly but effortlessly evolving. At one moment you think you’re in the mid-90s listening to sluggish alt-rock and the next you’re morphed into an indie-punk dance party circa 2003. And on top of that, Roger Waters inspired bass lines and Floydian tendencies keep you guessing what the band has in store for the rest of your musical journey.

$7 General Admission

As said, there are a lot more shows coming to Milwaukee in the next couple of months that will help you forget about the bitter cold outside. Check out the Rave or Pabst, Riverside and Turner Hall for more information.

Concert Preview: October '07

It’s a really fantastic month for concerts in Milwaukee. In fact, I had to whittle my recommendations down significantly.

Without further ado, here’s what’s coming in October…

Bad Religion
Sunday, October 7 at The Rave

Bad Religion is one of my favorite punk rock bands today. Although I was only a baby when they were fueling punk's popularity, Bad Religion is still going strong after 25 years in the music industry - even in an era when punk has evolved into a subcategory of pop music (unfortunately).

While critics claim that Bad Religion has softened up, their concerts demonstrate the same surging guitars and pummeling drums that were able to shake the foundation of people's thoughts in the late 80s. Still, their music has its hopeful moments, when the lyrics get especially articulate about not just problems but solutions; at the same time, no one would ever mistake Bad Religion for a band of dewy-eyed optimists rather than one inspiring a revolution.

$23 General Admission

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Regina Spektor
Monday, October 8 at The Rave

This year’s Lollapalooza was the first time I had the opportunity to see Regina Spektor. While I felt awkward for this newcomer, she clearly didn’t need any sympathy. Spektor is becoming known for her quirky, artfully orchestrated music with a fusion of influences from blues and jazz artists like Billie Holiday, hip-hop rhythms, inspired pop melodies and the passion of punk rock.

With her classical piano training she pounds out a highly eclectic but always personal and adventurous collection of songs. Spektor’s appealingly mellow, rambling vibe shines on her breakthrough hit “Fidelity.” From surreal, heady tracks to lovely confessionals, she mesmerizes with unexpected lyrics and a truly unique yet unpretentious style.

$23 General Admission

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Spoon
Monday, October 8 at The Pabst

I finally witnessed the oohs and aahs of Spoon live in concert at Lollapalooza '07 (I also was supposed to see them at Summerfest). Spoon has been together for over a decade, with one of the most unusual trajectories of any band in recent memory – and one of the most unique songwriters in the world.

While their songs tend to acquire urgency when played during an electric and hyped live performance, particularly the bass-driven thumper of “I Turn My Camera On” (a tightly coiled ball of scratchy funk that is sure to carry the loudest response of the night), their familiar minimal rhythmic piano/guitar vamp popularized on earlier Spoon hits like "The Way We Get By" is what makes a lasting impression.

$18 General Admission

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Grizzly Bear
Tuesday, October 9 at The Pabst

Ending up on many of the "Best of 2006" lists including Pitchfork Media and Refinery 29, Grizzly Bear can expertly paint the pasty skin of any emo kid with an array of colors and textures while bringing the whole audience into their world of subtleties and ambiance.

The band’s haunting melodies and layered musical landscapes are as expansive and grandiose as they are dark and intimate. By conjuring up wonderful sounds from an array of gadgets and instruments, their songs somehow become more about the aura they create rather than the notes and words they produce.

$10 General Admission

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Wilco
Tuesday, October 9 at The Rave

Wilco is arguably the tightest band in show biz – simply because they play like a well-oiled machine and consistently land sold-out gigs. With Jeff Tweedy at the helm, not only will he be an elusive asset to the band’s potential longevity, but Tweedy’s voice will fashion him into an American icon in the future, if not already.

At the same time, their music is what takes listeners back to a time when life was a little more carefree – especially when you catch them on a summer night because that’s when this alt-country band melds seamlessly into the darkness as naturally as the brief swarming of fireflies.

$23 General Admission

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Blue October
Friday, October 12 at The Rave

Blue October is best known for their singles “Hate Me” and “Into the Ocean” off their album Foiled. The indie rock group offers a diverse mix of catchy alternative rock and passionately-delivered grunge. At times hesitantly hopeful and at others bitter and even vengeful, their lyrics dwell angrily or thoughtfully on everything from youth to suicide to scorned love with an appealing, anguished sincerity.

$23 General Admission

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Pinback
Tuesday, October 16 at The Pabst

Pinback puts on a show to raise the dead. The band’s intricate rock is characterized by sinuous, weaving melodies, harmonies, and obscure yet oddly catchy lyrics. The music of Pinback is buoyant and lively at times, melancholy and dark at others, and always resonates with an underlying intensity – this complexity and brilliance sounds great on a record, but is even more captivating live!

$12 advance General Admission and $14 day of

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Queens of the Stone Age
Wednesday, October 24 at The Rave

You could ask just about any rock junkie and they’d probably confess that Queens of the Stone Age is one of the best rock ‘n’ roll bands to witness live today. But after seeing an uninspiring performance at Milwaukee’s Lollapalooza in 2003, I was convinced they'd never measure up to their hype.

Despite my disappointment I gave them another shot at Lollapalooza in 2006 where a mercilessly tight and precise Queens of the Stone Age proved that rock ‘n’ roll survives with as much menace and muscle as ever and I was forced to put my foot in my mouth.

$23 General Admission
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Halloween MSO Plays Hitchcock
Wednesday, October 31 at The Riverside

This Halloween Milwaukeeans have the opportunity to spend the night listening to the haunting music of Alfred Hitchcock's masterpieces – Psycho, The Birds, Vertigo and many more – complete with a cinema-sized screen projecting the classic films as the Milwaukee Symphony Orchestra performs their spine-tingling scores.

If you aren’t into haunted houses, pumpkin carving or costume parties, this will be all you need for last-minute Halloween thrills.

$30, $20 or $10 Reserved Seating

Like I mentioned, there are a lot more shows coming up in October. Check out the Rave and Pabst or Riverside for more information.